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Marcus Bingenheimer 馬德偉 (Temple University 天普大學)
Marcus Bingenheimer is Associate Professor of Religion at Temple University. His main research interests are early Buddhist sūtra literature, the history and historiography of Buddhism in East Asia, and how to apply computational methods in the Humanities. He has published a handful of books, more than 60 articles, and is responsible for the creation of various digital resources for Buddhist Studies.
馬德偉（Marcus Bingenheimer）現為美國費城天普大學宗教系副教授。主要的研究領域為東亞佛教史，佛教史學，早期佛教經典與如何在人文學科中應用計算方法。著作包括6本專書與60多篇論文，另有各種佛學數字資源。
CHEN Jinhua 陳金華 (University of British Columbia 英屬哥倫比亞大學)
Jinhua Chen is a Fellow of the Royal Society of Canada, and a professor of East Asian intellectual history (particularly religions) at the University of British Columbia, where he also served as the Canada Research Chair in East Asian Buddhism (2001–2011). He has received numerous grants and awards from major funding agencies for his work on East Asian state-church relationships, monastic (hagio-)biographical literature, Buddhist sacred sites, relic veneration, Buddhism and technological innovation in medieval China, and Buddhist translations. Dr. Chen has published six monographs, edited and co-edited over thirty books, and authored nearly eighty book chapters and journal articles.
陳金華（英屬哥倫比亞大學），加拿大皇家學會院士、英屬哥倫比亞大學東亞思想史講座教授，曾任加拿大國立東亞佛教講座教授（CRC）多年。研究領域涉及東亞政教關係，中古時期僧傳（聖傳）文學，佛教聖地，舍利崇拜，佛教與技術革新，以及佛教翻譯等領域。研究成果包括：已出版六部專著，合編近三十餘本書籍，發表七十多篇論文。目前領導一項為期多年的旨在重新建構佛學與東亞宗教重要面向的國際性與跨學科的龐大項目，由加拿大政府資助並得到國際上諸多名校與基金會的支持。
CHEN Juxia 陳菊霞 (Shanghai University 上海大學)
Juxia Chen, a professor and doctoral supervisor in the Department of History in the College of Liberal Arts, Shanghai University, had previously worked in the Dunhuang Academy for many years and served successively as the deputy director of the Archaeological Institute and the director of the Textual Research Institute of the Academy. She once worked as a visiting scholar in the Department of Fine Art in Tokyo University of the Arts in Japan, the Center for Chinese Studies at Oxford in UK, and the Institute of East Asian Civilization in France. Mainly engaged in the research of Dunhuang documents and Dunhuang grotto arts, she has published a few monographs including Dunhuang Zhaishi yanjiu 敦煌翟氏研究 [A Study on the Dunhuang Zhai Family] and Shibo congshu: Dunhuang yu Sui Tang chengshi wenming 世博叢書：敦煌與隋唐城市文明 [World Expo Series: Dunhuang and the Sui-Tang City Civilizations] (co-authored), in addition to more than 40 academic articles. Moreover, she has undertaken different research projects respectively supported by National Social Science Fund and the Social Science Planning of Gansu Province as well as the Dunhuang Academy Institute-level projects. Currently, she is also a council member of Chinese Association of Dunhuang and Turfan Studies and Chinese Society for Historians of China’s Foreign Relations.
陳菊霞，上海大學文學院歷史系教授、博士生導師。曾在敦煌研究院工作多年，歷任考古研究所副所長、文獻研究所所長。主要從事敦煌文獻、敦煌石窟圖像研究。出版專著《敦煌翟氏研究》《世博叢書：敦煌與隋唐城市文明》（合著），發表論文40多篇。並承擔國家社科基金項目、甘肅省社科規劃項目和敦煌研究院院級課題。兼任敦煌吐魯番學會理事、中國中外關係史學會理事。曾應邀在日本東京藝術大學美術學部、英國牛津大學中國研究中心、法國東亞文明研究所訪學。
HAMADA Tamami 濱田瑞美 (Yokohama University of Art and Design 橫濱藝術大學)
Tamami Hamada, Ph.D., is Professor at Yokohama University of Art and Design in Japan. She obtained her Ph.D. in 2007 at Waseda University, Faculty of Letters, Arts and Sciences, History of Art. Her research focuses on Buddhist art history in East Asia, particularly in China from the 5th to 12th centuries. Hamada’s monograph, Chugoku Sekkutsu Bijutsu no Kenkyu 中国石窟美術の研究 (Study of Buddhist Cave Art in China), (Tokyo: Chuo Koron Bijutsu Shuppan 中央公論美術出版, 2012) examines the sources of Buddhist iconography in wall paintings and sculptures in Buddhist caves and cliff images in areas including Dunhuang, Kizil, Sichuan and Longmen, and explores the meaning of these works in religious cave spaces. It also attempts to provide an explanation for there being a vast number of Buddhist cave temples in China. Hamada has discussed topics such as: Preaching Buddha, Buddha of Traikālya, Buddha commissioned by the Indian King Udayana, Amitābha, Vimalakīrti scene, Bhaiṣajyaguru scene, Esoteric Buddhist art works, Thousand Armed Avalokiteśvara, etc. In addition, her monograph, Tonkou Sekkutsu Bijutsu no Kenkyu 敦煌石窟美術の研究（Study of Dunhuang Cave Art, (Tokyo: Chuo Koron Bijutsu Shuppan, 2024), has recently been published.
2007 年獲早稻田大學文學博士，現為橫濱美術大學教授。其主要致力於東亞佛教藝術史研究，特別是中國五至十二世紀的佛教藝術。著作包括：獨著《中国石窟美術の研究》（中央公論美術出版，2012 年）； 獨著《敦煌石窟美術の研究》（中央公論美術出版，2024 年）； 責任編集：《アジア仏教美術論集 東アジアⅠ（後漢・三国・南北朝）》（中央公論美術出版，2017年）； 專書章節：《仏教美術からみた四川地域》（アジア地域文化学叢書Ⅴ，雄山閣、2007 年）之《四川地域の摩崖にみられる維摩変相龕の図像》與《唐宋時代の四川地域における千手観音信仰―大型大悲変相龕を手がかりに―》； 《文明·文化の交差点》（新アジア仏教史 05中央アジア，佼正出版社、2010 年）第七章之《敦煌美術》；《興福寺―美術史研究のあゆみ―》（里文出版、2011 年）之第七章《南円堂不空羂索観音像》等。另有合著《東洋美術史》（武蔵野美術大学出版局、2016 年） 第六章《仏教美術 ：絵画》及《四川夾江千佛岩唐代佛教芸術研究》（四川人民出版社、2017 年）之《夾江千佛岩的三佛龕、四佛龕》。另有論文數十篇。
JI Yun 紀贇 (Buddhist College of Singapore 新加坡佛學院)
Ji Yun received his Ph.D. from Fudan University, Shanghai, in 2006. During the writing of his doctorate dissertation, his research encompassed the study of Buddhism within the philological studies of Buddhist written texts, the collecting of biographical materials of monks, and the anthropological studies of religion. Eventually, his dissertation, ‘Huijiao Gaoseng zhuan yanjiu’ 慧皎《高僧傳》研究 [A Study on the Biographies of Eminent Monks written by Huijiao] was published in early 2009. As a full-time lecturer of BCS, Ji Yun is now engaged in teaching subjects such as Buddhist Literature, the institution of Buddhist Sangha, and Chinese and Indic languages. Ji Yun also assists in overseeing the operation of the college’s Academic Office and the library.
紀贇，文學博士，新加坡佛學院（Buddhist College of Singapore）副教授，兼任教務主任、圖書館館長。除教學外，主要從事佛教文獻、佛教史等相關研究。曾出版專著《慧皎高僧傳研究》（2009，上海古籍），另有論文多篇。
KIM Youn-mi 金延美 (Ewha Womans University 韓國梨花女子大學)
Youn-mi Kim is Associate Professor of Asian Art History at Ewha Womans University. Prior to joining the Ewha faculty, she was Assistant Professor at Yale University (2012-16) and Assistant Professor at the Ohio State University (2011-12). She is Editor of New Perspectives on Early Korean Art: From Silla to Koryo (Harvard University Press, 2013). A grantee of The Robert H. N. Ho Family Foundation Research Fellowships in Buddhist Studies 2018, she is currently completing her two book manuscripts entitled Visualizing the Invisible: Liao Pagodas, Cosmology, and Body while working on her second book, Ritual and Agency: Visual Culture of Medieval Buddhism in North China.
金延美 Youn-mi Kim，現為韩國梨花女子大學（Ewha Womans University）副教授，此前為耶魯大學（2010-2011）博士後，并續任俄亥俄州立大學（2011-2012）與耶魯大學（2012-2016）助理教授。金延美的專長為漢傳佛教藝術，但對朝鮮與日本佛教的藝術與儀式相關的跨文化關係也有研究。她特別關注於象徵性儀式，在此儀式之中建築 空間成為了一種物質的載體，以及佛教藝術可視性與非可視性之間的互動關係等。她編著有New Perspectives on Early Korean Art: From Silla to Koryŏ（Cambridge, MA: Korea Institute, Harvard University, 2013）一書，目她正在撰寫兩部書稿，并發表有多篇論文。
KUAN Guang 寬廣 (Qing Liang Buddhist Association [London] 倫敦清涼講堂/Wutai Research Institute for Eastern Buddhist Culture 五臺山東方佛教文化研究院)
After studying Mahayana Buddhism at the Buddhist Academy of China (1994-1998), Guang Kuan expanded his research interests in Theravada Buddhism at the University of Kelaniya, Sri Lanka. He was awarded a PhD degree in Buddhist Studies by SOAS, University of London. His primary research interest lies in Ming Chinese Buddhist history, particularly the Buddhist developments on Wutai Mountain. Guang Kuan has previously held Research Fellow positions at King’s College London before he established his own Buddhist Charity, The London Qing Liang Buddhist Centre, which is dedicated to Buddhist studies and practices, and providing a friendly environment for Chinese monastics and lay people to pursue Buddhist Studies in UK and Europe. Additionally, he is also a co-founder and acting director of Wutai Research Institute of Buddhism and East Asian Culture.
1998年畢業於中國佛學院之後，寬廣赴斯里蘭卡凱拉尼亞大學學習，得以擴展了對南傳佛教的研究。之後在倫敦大學亞非學院獲得佛教博士學位。主要研究方向為中國明代佛教史，尤其是五台山佛教在明代的發展。2010-2012任職於倫敦大學亞非學院助理研究員；2012-2020年任職於倫敦大學國王學院講師研究員。在妙江大和尚的支持下他成立了一所佛教教育慈善機構——倫敦清涼講堂，旨在佛學研究與實修，並為華人僧俗提供在英國更好的佛學研究環境。此外，他還是五台山東方佛教文化研究院的聯合創始人，並擔任其常務副院長一職。
Meir SHAHAR 夏維明 (Tel Aviv University 以色列特拉維夫大學)
Meir Shahar is the Shoul N. Eisenberg Chair for East Asian Affairs at Tel Aviv University. He is the author of numerous books on Chinese religion, including Crazy Ji: Chinese Religion and Popular Literature (1998); Oedipal God: The Chinese Nezha and his Indian Origins (2015); and The Shaolin Monastery: History, Religion, and the Chinese Martial Arts (2008), which has been translated into many languages. Meir Shahar’s most recent book Kings of Oxen and Horses: Draft Animals, Buddhism, and Chinese Rural Religion is forthcoming from Columbia University Press.
夏維明教授任教于以色列特拉維夫大學東亞學系，榮任艾森伯格講席。他撰寫了多部中國宗教研究專著，包括《濟公：中國宗教與民間文學》（1998年），《俄狄浦斯神：中國的哪吒及其印度來源》（2015），以及被譯爲多國語言出版的《少林寺：歷史、宗教與中國武術》（2008）。夏維明教授的新著——《牛馬王：役畜、佛教與中國鄉間宗教》近期將由哥倫比亞大學出版社出版。
SHENG Kai 聖凱 (Tsing-hua University 清華大學)
Ven. Dr. Sheng Kai is a Professor in the Philosophy Department of Tsinghua University, the Executive director of the Buddhist Association of China, and a Graduate Teacher of Buddhist Academy of Putuo Mount, Zhejiang Province. In 2008, he was the Associate professor of Philosophy Department of Nanjing University. He studied in the Buddhist Academy of China, Nanjing University, attained MPhil (Nanjing University) in 2002, PhD (Nanjing University) in 2005, and finished Postdoctoral study in Tsinghua University in 2007. He is the author of following books: (1.)The Buddhist Ritual of China, (2) Study on the Confessional Ritual of Chinese Buddhism, (3) The Buddhist Confessional Thought, (4) Study on the School of Mahayana-samuparigraha-sastra. He specializes in Buddhist Confession, Buddhist Pure Land Thought, Yogacara Buddism and Tathagatagarbha Buddhism.
聖凱，1972 年生。現為清華大學道德與宗教研究院副院長、哲學系副主任、教授、博士研究生導師、國家社科基金重大專案“漢傳佛教僧眾社會生活史”首席專家、中國佛教文化研究所副所長、《佛學研究》主編。研究領域為南北朝佛教學派、儒佛道三教關係、中國佛教社會吏、近現代佛教、佛教與西方哲學比較研究等。主要著作有《中國漢傳佛教禮儀》《中國佛教懺法研究》《攝論學派研究》《晉唐彌陀淨土的思想與信仰》《中國佛教信仰與生活史》《南北朝地論學派思想史》，與 A History of Chinese Buddhist Faith and Life 等。《攝論學派研究》曾獲全國優秀博士學位論文獎、第五屆教育部人文社科三等獎。
SUN Yinggang 孫英剛 (Zhejiang University 浙江大學)
Yinggang SUN studied at Beijing University (1996-2003) and Princeton University (2003-2009, Ph.D. from Department of East Asian Studies). He served as Associate Professor of Medieval Chinese History at Fudan University (Shanghai, 2009-2016) and is now Professor of Medieval Chinese History (2016-) and Dean of School of History (2021-) at Zhejiang University, Hangzhou. He was a visiting scholar and research fellow at Tokyo University (2010) and Yale University (2015-2016). His research interests include medieval history (Northern and Southern Dynasties, Tang Dynasty), history of Buddhism (especially Buddhism and Medieval Monarchship as well as Buddhism and the Silk Road), and is currently working on how Gandharan Buddhism influenced Medieval Chinese History.
孫英剛，先後就讀於北京大學（本科、碩士）和普林斯頓大學（碩士、博士），獲普林斯頓大學哲學博士學位。先後任教於復旦大學、浙江大學。現為浙江大學長聘教授、歷史學院常務副院長（主持全面工作）、浙江大學佛教文明研究中心主任。中國魏晉南北朝史學會副會長、中國唐史學會理事、敦煌吐魯番學會理事。客座職務包括耶魯大學東亞研究客座副教授和研究員（2015年9月—2016年3月）、東京大學東洋文化研究所訪問研究員（2012年10月—12月）等、日本中央大學客座教授（2017年12月）日本國際佛教學大學院大學2014年度客員研究員等。
Barend TER HAAR 田海 (University of Hamburg 漢堡大學)
Barend ter Haar teaches Chinese studies at the University of Hamburg, with a strong focus on cultural and religious history. Although first of all a social and cultural historian, the religious dimension is so central to Chinese traditional life that much of his research up to now has dealt with religious phenomena. In addition, he has worked extensively on issues of ethnic identity, violence and fear, and social organization. Recent books are Guan Yu: The Religious Afterlife of a Failed Hero (Oxford: Oxford University Press, 2017) and Religious Culture and Violence in Traditional China. (Cambridge: Cambridge University Press, 2019). His new book, entitled The Fear of Witchcraft and Witches in imperial China: Figurines, Familiars and Demons, has just been accepted by Brill publishers.
田海在漢堡大學教授中國研究，重點關注文化和宗教歷史。雖然他首先是一個社會和文化歷史學家，但鑒於宗教對中國傳統生活的極端重要性，他迄今為止的大部分研究都涉及宗教現像。此外，他還在種族認同，暴力和恐懼以及社會組織等問題上進行了廣泛的研究。他的一個重要關注點是要證明傳統文化和文化模式依然與現代生活息息相關。他為能夠閱讀荷蘭語的人寫有一部關於中國的歷史，題為 “The History of the Chinese Empire until 1911”（荷蘭語：Het Hemels Mandaat: De Geschiedenis van het Chinese Keizerrijk）（AUP: Amsterdam，2009），對中國的歷史頗致匡正之力。他有關中國一個非宗教團體——“無為教”（從16世紀末至今）的研究已被夏威夷大學出版社出版，書名為 Practicing Scripture: A Lay Buddhist Movement in Late Imperial China。
ZHANG Xiaoyan 張小豔 (Fudan University 復旦大學)
Currently a professor at the Center for Research on Chinese Excavated Classics and Paleography of Fudan University, also the vice president of Chinese Association of Dunhuang and Turfan Studies. Her research is mainly focused on Dunhuang Studies and Chinese language and linguistics. She has published two monographs: Dunhuang shuyi yuyan yanjiu 敦煌書儀語言研究 (The Lingistic Study of Shuyi Documents from Dunhuang; The Commercial Press, 2007) and Dunhuang shehui jingji wenxian ciyu lunkao 敦煌社會經濟文獻詞語論考 [Research into the Words in Dunhuang Manuscripts Concerning Social and Economic History; Shanghai People’s Publishing House, 2013]. She has also co-edited a comprehensive dictionary: Dunhuang wenxian yuyan da cidian 敦煌文獻語言大詞典 [Dunhuang Literature Linguistic Dictionary; Sichuan Dictionary Publishing House, 2022], and authoring over 80 research articles. Her doctoral dissertation was selected as one of the “One hundred Outstanding Doctoral Dissertations of China” in 2006; her monograph was awarded the First Prize of “the Twelfth Shanghai Outstanding Achievements in Philosophy and Social Sciences of Shanghai” in 2013; and the dictionary she co-edited was awarded the First Prize of “the Twenty-second Outstanding Achievements in Philosophy and Social Sciences of Zhejiang Province” in 2023.
張小豔：復旦大學出土文獻與古文字研究中心教授，博士生導師，敦煌吐魯番學會副會長，主要從事敦煌學與漢語言文字學的研究。出版專著2部：《敦煌書儀語言研究》（商務印書館2007年版）、《敦煌社會經濟文獻詞語論考》（上海人民出版社2013年版）；參編大型語文工具書1部：《敦煌文獻語言大詞典》（四川辭書出版社2022年版），發表論文80餘篇。博士論文入選2006年“全國百篇優秀博士學位論文”，專著2013年評獲上海市第十二届哲學社會科學優秀成果一等獎，參編的工具書2023年評獲浙江省第二十二届哲學社會科學優秀成果一等獎。
