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| 1 | Jidong Chen, Aoyamagakuin University 陳繼東，日本青山學院大學  |
PhD in Buddhist Studies from the University of Tokyo. Previous teaching at Beijing University and Musashino University in Tokyo before being appointed as a professor at Aoyamagakuin University, Tokyo. His research interests cover the history of Ming and Qing dynasty’s Chinese religions (in particular Buddhist history and folk religion), Modern Chinese intellectual history, and Sino-Japanese cultural interactions. He is the author of two mongraphs, Shin Matsu Bukyo No kenkyu: Yangwenhui wo Chushin Toshite 清末仏教の研究：楊文会を中心として (Sankibo, Tokyo, 2003) and Ogurusu Kocho no Shin Matsu Chugoku Taiken: Kindai Niichu Bukyo Koryu no Kaitan 小栗栖香頂の清末中国体験: 近代日中仏教交流の開端 (Sankibo, Tokyo, 2016), and numerous articles in Japanese, Chinese and English.
東京大學博士（文學）。曾任北京大學哲學系講師，現為青山學院大學國際政治經濟系教授。專攻中國佛教史、中日佛教交流史以及近代中國思想史。著作有《清末佛教研究：以楊文會為中心》（2003）、《小栗棲香頂清末中國體驗：近代中日佛教交流之開端》（2016），與龔雋合著《作為“知識”的近代中國佛學史論:在東亞視域內的知識史論述》（2019）。另以日文、中文與英文發表研究論文多篇。 |
| 2 | Jinhua Chen, UBC 陳金華，加拿大英屬哥倫比亞大學  |
Jinhua Chen is a Fellow of the Royal Society of Canada, and a professor of East Asian intellectual history (particularly religions) at the University of British Columbia, where he also served as the Canada Research Chair in East Asian Buddhism (2001–2011). He has received numerous grants and awards from major funding agencies for his work on East Asian state-church relationships, monastic (hagio-)biographical literature, Buddhist sacred sites, relic veneration, Buddhism and technological innovation in medieval China, and Buddhist translations. Dr. Chen has published six monographs, edited and co-edited over thirty books, and authored nearly eighty book chapters and journal articles.
加拿大皇家學會院士、英屬哥倫比亞大學東亞思想史講座教授，曾任加拿大國立東亞佛教講座教授（CRC）多年。研究領域涉及東亞政教關係，中古時期僧傳（聖傳）文學，佛教聖地，舍利崇拜，佛教與技術革新，以及佛教翻譯等領域。研究成果包括：已出版六部專著，合編十餘本書籍，發表七十多篇論文。這些成果曾獲眾多基金和獎項，包括日本學術振興會、加拿大國家社科基金和 Peter Wall 高級研究院、德國洪堡基金會和馬普研究所以及美國人文研究中心等機構的研究基金。目前領導一項為期多年的旨在重新建構佛學與東亞宗教重要面向的國際性與跨學科的龐大項目，由加拿大政府資助並得到國際上諸多名校與基金會的支持。 |
| 3 | Juxia Chen, Shanghai University 陳菊霞，上海大學 |
Juxia Chen, a professor and doctoral supervisor in the Department of History in the College of Liberal Arts, Shanghai University, had previously worked in the Dunhuang Academy for many years and served successively as the deputy director of the Archaeological Institute and the director of the Textual Research Institute of the Academy. She once worked as a visiting scholar in the Department of Fine Art in Tokyo University of the Arts in Japan, the Center for Chinese Studies at Oxford in UK, and the Institute of East Asian Civilization in France. Mainly engaged in the research of Dunhuang documents and Dunhuang grotto arts, she has published a few monographs including Dunhuang Zhaishi yanjiu 敦煌翟氏研究 [A Study on the Dunhuang Zhai Family] and Shibo congshu: Dunhuang yu Sui Tang chengshi wenming 世博叢書：敦煌與隋唐城市文明 [World Expo Series: Dunhuang and the Sui-Tang City Civilizations] (co-authored), in addition to more than 40 academic articles. Moreover, she has undertaken different research projects respectively supported by National Social Science Fund and the Social Science Planning of Gansu Province as well as the Dunhuang Academy Institute-level projects. Currently, she is also a council member of Chinese Association of Dunhuang and Turfan Studies and Chinese Society for Historians of China’s Foreign Relations.
陳菊霞，上海大學文學院歷史系教授、博士生導師。曾在敦煌研究院工作多年，歷任考古研究所副所長、文獻研究所所長。主要從事敦煌文獻、敦煌石窟圖像研究。出版專著《敦煌翟氏研究》《世博叢書：敦煌與隋唐城市文明》（合著），發表論文40多篇。並承擔國家社科基金項目、甘肅省社科規劃項目和敦煌研究院院級課題。兼任敦煌吐魯番學會理事、中國中外關係史學會理事。曾應邀在日本東京藝術大學美術學部、英國牛津大學中國研究中心、法國東亞文明研究所訪學。 |
| 4 | Ming Chen, Peking University 陳明，北京大學  |
CHEN Ming is currently a Professor and Head of the Department of South Asian Studies at Peking University. Since he was awarded a doctoral degree by Peking University in 1999, with a dissertation on Indian Medical Science, he has focused on the history of cultural communication between China and Central & South Asia in the Medieval Period, mainly but not exclusively in terms of medicine. His academic interests have also been extended to a study on Buddhist literature in Sanskrit-Chinese, and the influence of ancient South Asian literature on China. He has published six books all in Chinese as follows: (1) On the Sanskrit Medical Book Siddhasāra (2002, 2014); (2) Medical Manuscripts Discovered in Dunhuang and Western Regions: Foreign Medicine in Medieval China (2005); (3) A Study on Sanskrit Medical Text of Jīvaka-pustaka from Dunhuang (2005); (4) Foreign Medicine and Culture in Medieval China / (2013); (5) Texts and Languages: A Comparative Study on Some Manuscripts Unearthed from the Silk Road and Early Chinese Buddhist Canon/ (2013); (6) Indian Buddhist Mythology: Its Writing and Transmission (2016). Now he is also interested in comparative study of Buddhist literature and vocabulary in Sanskrit and Chinese, and the transmission of tales and related images in pre-modern Eurasia. He has two funded projects: A collection of illustrated texts of ancient Eastern literature and related studies, and Studies on exchanges of culture and literature between China and South Asia in pre-modern period.
陳明，北京大學外國語學院教授、院長，教育部人文社會科學重點研究基地北京大學東方文學研究中心主任，主要研究方向為印度古代語言文學、佛經語言和文獻、中印文化交流史、絲綢之路醫學文化史、古代東方文學圖像。已出版《中古醫療與外來文化》、《印度佛教神話：書寫與流傳》、《天竺大醫：耆婆與<耆婆書>》等專著。 |
| 5 | Suyu Chen, Chinese Academy of Social Sciences 陳粟裕，中國社會科學院  |
陳粟裕，1983年生，湖北人。中央美術學院美術史博士，現為中國社會科學院世界宗教研究所宗教藝術研究室副主任、副研究員，中國宗教學會理事，主要研究佛教美術、絲綢之路美術。出版有專著《從於闐到敦煌：以唐宋時期圖像的東傳為中心》（方志出版社，2014）《沙海浮圖：中古時期西域南道佛典與圖像》，並在《世界宗教研究》《美術研究》《敦煌研究》等核心期刊上發表論文三十餘篇。
Suyu Chen, Associate Professor, Institute of World Religions, Chinese Academy of Social Sciences. Graduated from the Central Academy of Fine Arts in 2012 with a Ph.D. in Art History. Her areas of research include Buddhist art history and art exchange along the Silk Road. Published a monograph From Khotan to Dunhuang: Based on the Images Spreaded to the East during Tang and Song Dynasties (Publishing House of Local Records, 2014) and The Buddhist Art in the Desert: Buddhist Texts and Images on the Southern Route of the Xiyu in the Medieval Period. (The Commercial Press, 2024). |
| 6 | Matteo Compareti, Capital Normal University 康馬泰，首都師範大學  |
Matteo Compareti graduated in Oriental Languages and Literature from the University of Venice “Ca’ Foscari” (1999) and defended his PhD in Iranian Studies at the University of Naples “L’Orientale” (2005). His main field of investigation is the study of the iconography of the Zoroastrian deities of Persia and Central Asia in the pre-Islamic era. He has held teaching courses in the United States of America (University of California, Berkeley) and in the People’s Republic of China (Renmin University of China, Shaanxi Normal University, and Capital Normal University). Among his most relevant publications in English, there are Samarkand the Center of the World. Proposals for Reading the Pictorial Cycle of Afrāsyāb, Costa Mesa CA, 2016 and The Elusive Persian Phoenix. Simurgh and Pseudo-Simurgh in Iranian Art, Bologna, 2021.
康馬泰於1999年畢業於威尼斯大學東方語言和文學專業，並於2005年在那不勒斯大學獲得伊朗學博士學位。其主要研究領域是前伊斯蘭時代波斯和中亞祆教神祇圖像學研究。曾在美國（加州大學伯克利分校）和中國（中國人民大學、陝西師範大學和首都師範大學）任教。其相關英文出版物有Samarkand the Center of the World. Proposals for Reading the Pictorial Cycle of Afrāsyāb（《撒馬爾罕：世界的中心——阿夫拉西阿卜壁畫解讀》, Costa Mesa CA, 2016)和The Elusive Persian Phoenix. Simurgh and Pseudo-Simurgh in Iranian Art（《神秘莫測的波斯不死鳥：伊朗藝術中的森莫夫和偽森莫夫》，Bologna, 2021)。
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| 7 | Daxue Dong, Shanghai Normal University 董大學，上海師範大學  |
董大學，男，歷史學博士，上海師範大學人文學院副教授，碩士生導師，兼任中國敦煌吐魯番學會理事。主要從事敦煌學、隋唐五代史的教學和研究。獨立主持2項國家社科基金項目和1項上海市哲社項目，並參與多項國家社科基金重大項目，發表學術論文20餘篇。
Daxue Dong is an Associate Professor in the School of Humanities, Shanghai Normal University, where he also supervises master’s degree candidates. Holding a PhD in History, his expertise lies primarily in Dunhuang studies and the history of the Sui, Tang, and Five Dynasties periods. In addition, he holds the position of Director within the Dunhuang and Turpan Studies Association in China. Dong Daxue has played a leading role in two projects funded by the National Social Science Fund and a Shanghai Philosophy and Social Science project. Moreover, he has contributed to several major projects under the same fund. His scholarly output includes over 20 academic papers that underscore his significant contributions to his fields of specialization. |
| 8 | Xiaoyang Fan, Capital Normal University 范曉陽，首都師範大學  |
首都師範大學博士生，博論題目： 于闐佛教文獻與中古佛教史研究。出版有《唐朝統治于闐時期的漢寺經濟——以和田出土漢語文書為中心》（《首都師範大學學報(社會科學版)》，2024年4期）、《敦煌、吐魯番出土<勝天王般若波羅蜜多經>研究——兼論南朝所譯于闐傳入經律在河西、西域的流傳》（《西域研究》）等。 |
| 9 | Hans Fellner, University of Vienna 費爾勒，奧地利維也納大學  |
Hannes A. Fellner (PhD, Harvard University) is a Professor of Digital Corpus Linguistics at the Department of Linguistics and the Department of European and Comparative Literature and Language Studies at the University of Vienna. He specializes in Indo-European historical-comparative linguistics, theories of language change, and digital humanities and humanism, with a strong focus on linguistic ecology and diversity, particularly along the ancient Silk Road.
Fellner is a member of the Young Academy of the Austrian Academy of Sciences and academic director of the Austrian Institute for China and Southeast Asia Studies. Fellner has published extensively on topics spanning linguistics, philosophy, Buddhist and China studies and serves as co-editor of the journals Die Sprache (Harrassowitz) and Tocharian and Indo-European Studies (De Gruyter Brill). |
| 10 | Imre Galambos, Zhejiang University/University of Cambridge 高奕睿，浙江大學/劍橋大學  |
Imre Galambos is a specialist of Chinese manuscripts from Dunhuang and other Silk Road sites. He received his PhD in 2002 from the University of California, Berkeley, with a dissertation on the orthography of Chinese writing as evidenced in bamboo-slip manuscripts from the Warring States period. Immediately after graduation, he worked for the International Dunhuang Project (IPD) at the British Library, where his area of research gradually shifted to the Dunhuang manuscripts. In 2012, he left the library to take up a teaching position at the University of Cambridge, where he taught subjects related to premodern China. He retired from Cambridge in 2023, following which he moved to Hangzhou. He is now Qiushi Chair Professor at Zhejiang University. His books include Orthography of Early Chinese Writing (2006), Manuscripts and Travellers: The Sino-Tibetan Documents of a Tenth-century Buddhist Pilgrim (2012; co-authored with Sam van Schaik), Translating Chinese Tradition and Teaching Tangut Culture (2015), and Dunhuang Manuscript Culture: End of the First Millennium(2020). 在中國天津和匈牙利進行了多年的學習與研究後，高奕睿在加州大學柏克萊分校獲得了博士學位，其博士論文為戰國時期中國文字正字法的相關研究。在博士畢業後，高奕睿入職大英圖書館，參與國際敦煌研究項目。由此開始敦煌手稿的研究以及中世紀中國的寫本文化研究。在大英圖書館工作十年後，他於2012年前往劍橋任教，並於2023年轉任浙江大學。 |
| 11 | Imre Hamar, Eötvös Loránd University 郝清新，匈牙利羅蘭大學 |
Dr. Imre Hamar was born in Győr in 1967. He obtained his MA degree in Chinese and Tibetan at Eötvös Loránd University (ELTE) in 1992 and started to work in 1993 at the Chinese and East Asian Department. In 1997 he earned his Ph.D. degree of the Hungarian Academy of Science (the title of his thesis is ’Modifications in Huayan tradition in 8-9th century – Chengguan’s life and his theory of the four dharma-dhātus’). In 2001 he became an associate professor and in 2008 full professor of Chinese studies at ELTE. He habilitated in 2004 and became a doctor of the Hungarian Academy of Sciences in 2016. He has been the head of the ELTE East Asian Department since 2002 (since 2008 it has been called ELTE Chinese Department) and since 2003 the director of the doctoral program in Chinese Studies of ELTE. Since 2006 Dr. Hamar has been the director of the ELTE Confucius Institute, since 2008 the director of the Institute of East Asian Studies, and since 2021 the director of ELTE Sejong Institute. Between 2006 and 2007 and 2015 and 2017 he was the vice dean of international affairs at the ELTE Faculty of Humanities, and since 2017 he has been the vice-rector of international affairs at ELTE and the president of Budapest University Athletics Club (BEAC). 郝清新博士 1967 年出生於 焦爾。他於 1992 年獲得羅蘭大學漢語和藏語專業碩士學位，1993 年開始在漢語和東亞系工作。1997 年，他獲得匈牙利科學院博士學位（論文題目為 “8-9 世紀華嚴宗的變遷–澄觀的生平及其四法論”）。2001 年，他成為羅蘭大學漢學系副教授，2008 年成為正教授。他於 2004 年獲得博士學位，並於 2016 年成為匈牙利科學院博士。自2002年起，他一直擔任羅蘭大學東亞系主任（2008年起改稱羅蘭大學中國系），並自2003年起擔任羅蘭大學中國研究博士項目主任。郝清新博士自2006年起擔任羅蘭大學孔子學院院長，自2008年起擔任東亞研究所所長，自2021年起擔任羅蘭大學世宗研究所所長。2006年至2007年、2015年至2017年期間，他擔任羅蘭大學人文學院國際事務副院長，2017年起擔任羅蘭大學國際事務副校長和布達佩斯大學田徑俱樂部（BEAC）主席。 |
| 12 | Agnieszka Helman-Ważny, University of Hamburg 赫峨嵇，德國漢堡大學  |
Agnieszka Helman-Ważny (Ph.D. 2007) is Professor of Book Studies at the University of Warsaw and researcher at the Division 4.5 – Analysis of Artefacts and Cultural Assets at the Federal Institute for Materials Research and Testing in Berlin. She is also affiliated with the Cluster of Excellence ‘Understanding Written Artefacts’ at the Centre for the Study of Manuscript Cultures at the University of Hamburg. Her publications include monographs and articles on the history of books and paper in Central Asia and the Himalayas, material culture of Tibet, codicology of Silk Road manuscripts and the history of Asian book collections, including The Archaeology of Tibetan Books (Brill, 2014), and The Mustang Archives: Analysis of handwritten documents via the study of papermaking traditions in Nepal (Brepols, 2021, co-authored with Charles Ramble). |
| 13 | Satomi Hiyama, International College for Postgraduate Buddhist Studies 檜山智美，日本国際仏教学大学院大学  |
Satomi Hiyama is an art historian specializing in the iconography of Central Asian Buddhist paintings. She had been a research fellow of the Asian Art Museum of Berlin for 2010 to 2016. After receiving Ph.D in Art History at the Freie Universität in Berlin in 2014, she was engaged as a postdoctoral researcher at Ludwig-Maximilians-Universität München and Ryukoku University for 2015 to 2018, and worked as Assistant Professor at Kyoto University in 2018 to 2023. Currently she is a research fellow at the International College for Postgraduate Buddhist Studies in Tokyo, as well as the external researcher of the research project “Buddhist Murals of Kucha on the Northern Silk Road” at Saxon Academy of Sciences in Leipzig. 檜山智美是一位佛教美術史學者，專門研究中亞佛教繪畫的圖像學。她曾於 2010 年至 2016 年擔任柏林亞洲藝術博物館研究員。2014 年在柏林自由大學獲得藝術史博士學位後，2015 年至 2018 年在慕尼黑路德維希–馬克西米利安大學和龍谷大學擔任博士後研究員，2018 年至 2023 年在京都大學擔任助理教授。目前，她是東京國際佛教研究生院的研究員，也是萊比錫薩克森科學院“北方絲綢之路上的庫車佛教壁畫 ”研究項目的外部研究員。 |
| 14 | Lele Huang, Peking University 黄樂樂，北京大學  |
北京大學外國語學院南亞學系博士後，印度尼赫魯大學佛教藝術史博士，泰國摩訶朱拉隆功大學國際佛教研究院客座講師。主要研究領域為印度佛教藝術史、東南亞佛教藝術、南亞與東南亞文化，現研究方向為印度石窟寺藝術與南印度佛教藝術。 Huang Lele, the post doctor at School of Foreign Languages, Peking University, PhD in Buddhist Art History from Nehru University in India, and guest lecturer at the International Buddhist Research Institute at Mahachulalongkorn University in Thailand. My main research areas include the history of Indian Buddhist art, Southeast Asian Buddhist art, and South and Southeast Asian cultures. Currently, my research focuses on art of Indian grotto temples and South Indian Buddhist art. |
| 15 | Gen’ichiro Katsuki, Tokyo National Museum 勝木言一郎，日本東京國立博物館 |
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| 16 | Xiaonan Li, Peking University 李曉楠，北京大學  |
李曉楠，北京大學外國語學院南亞系博士後。 2011年進入中央民族大學藏學研究院藏語零起點班學習藏語言文學；2016年進入北京大學攻讀印度語言文學，曾先後前往法國國立東方語言文化學院，劍橋大學短期訪學。2022年-2023年在國家留學基金委聯合培養博士項目的資助下，前往哈佛大學學習。2023年獲得北京大學印度語言文學博士學位。
Li Xiaonan is a postdoctoral fellow at the School of Foreign Languages, Peking University, specializing in Sanskrit-Tibetan grammar, Buddhist literature, and inscriptions in Xinjiang cave temples. She embarked on her academic journey by enrolling in the Zero Beginner Class for Tibetan Language and Literature at the Institute of Tibetan Studies, Minzu University, in 2011. In 2016, she pursued advanced studies in Indian Language and Literature at Peking University. During this time, she undertook short-term academic visits to prestigious institutions such as the National Institute of Oriental Languages and Civilizations in France and the University of Cambridge. Benefiting from the China Scholarship Council’s Joint Ph.D. Program, she conducted doctoral research at Harvard University from 2022 to 2023. In 2023, she was awarded a Ph.D. in Indian Language and Literature from Peking University. |
| 17 | Mingyu Lin, Komazawa University 林鳴宇，日本駒澤大學  |
林鳴宇，1972 年生，浙江樂清人。日本駒澤大學博士（佛教學）。專攻中國佛教，兼及中日佛教之天台學，中日佛教之戒律學。現為日本學習院大學東洋文化研究所研究員，日本曹洞宗正教師（瑞光寺）。主要著作有《宋代天台教學研究》（2003），《天台文類天台法數校釋》（2005），《大戒東漸》（2014），《肇論集解令模鈔校釋》（伊藤隆壽合著，2008），《華嚴經綱要校釋》（馬淵昌也合著，2017，獲 2017 年中國優秀古籍圖書二等獎），《亞洲佛教史》卷七（合著，2010），《東亞的靜坐傳統》（合著，2012）等 10 余種。在各類學術刊物上發表學術論文 70 余篇。 |
| 18 | Yi Liu, Capital Normal University 劉屹，首都師範大學  |
Liu Yi, was born in Beijing in 1972. In 2000, he obtained his Ph.D. from the Department of History at Capital Normal University, where he subsequently took up a teaching position. Currently, he is a professor, doctoral supervisor, and dean at the School of History of Capital Normal University, as well as the vice president of the China Dunhuang and Turfan Society. His areas of expertise are Dunhuang studies and the religious history of medieval China. He has published over 160 academic papers, research book reviews, and translations in various domestic and international journals and anthologies. He has authored and edited eight monographs and collections of essays: “Reverence for Heaven and the Exaltation of the Dao: The Intellectual History Background of the Formation of Medieval Confucian and Daoist Thoughts” (2005), “Classics and History: A Collection of Studies on Daoist Scriptures from Dunhuang” (2011), “Divinity and Regionality: Studies on the Daoist Belief World between the Han and Tang Dynasties” (2011), “Daoist Scriptures of Dunhuang and Medieval Daoism” (2013), “Historical and Documentary Studies of Han and Tang Daoism: Selected Works of Liu Yi” (2015), “Introduction to the Study of Chinese Daoism History” (2017), “Historical Studies on the Lingbao Scriptures of the Six Dynasties” (2018), and “Longsha Lun Dao Ji” (2020). He has successfully completed two general projects and one key project funded by the National Social Science Fund, as well as one project supported by the Ministry of Education’s Humanities and Social Sciences.His research is characterized by the use of historical analysis to study the formation and ideological contexts of religious scriptures. From 1996 to 2016, his primary research focus was on Daoist history and scriptures. In terms of Daoist history, he has critically examined the historical model of the “Five Pecks of Rice Dao to Celestial Master Dao” lineage. Regarding Daoist scriptures, he has conducted specialized research on texts such as the “Taiping Jing,” “Laozi Xiang Er Zhu,” “Laozi Hua Hu Jing,” “Laozi Bian Hua Jing,” “Sheng Xuan Nei Jiao Jing,” “Tai Shang Miao Fa Ben Xiang Jing,” and the “Lingbao Scriptures” of the Six Dynasties. Since 2017, he has shifted his focus to the study of medieval Buddhism, with particular interest in the history of Buddhism in the Western Regions, overland Buddhist trade routes between China and India, the history and art of Buddhism’s initial transmission to China, and comparative studies on Indian Buddhist “Dharma decline” prophecies and East Asian Buddhist “end of the Dharma” concepts.
劉屹，男，漢族，1972年生於北京。1990—2000年，在首都師範大學歷史系（歷史學院），先後獲得本科、碩士和博士學位。2000年留校任教。2007年，獲批教育部“新世紀優秀人才”。2023年獲批中宣部哲學社會科學領軍人才。現任首都師範大學歷史學院教授，博士生導師，院長，中國敦煌吐魯番學會副會長。專業領域為敦煌學、中古宗教史。已在國內外各種專業學術刊物、論文集上發表專題論文、研究書評、譯稿等160多篇，出版專著和論文集8部：《敬天與崇道——中古經教道教形成的思想史背景》（2005）、《經典與歷史——敦煌道經研究論集》（2011）、《神格與地域——漢唐間道教信仰世界研究》（2011）、《敦煌道經與中古道教》（2013）、《漢唐道教的歷史與文獻研究——劉屹自選集》（2015）、《中國道教史研究入門》（2017）、《六朝道教古靈寶經的歷史學研究》（2018）、《龍沙論道集》（2020）。其中，《敬天與崇道》獲得第九屆北京市哲學社會科學優秀成果二等獎（2006）。《六朝道教古靈寶經的歷史學研究》入選《國家哲學社會科學成果文庫》（2018）並獲第十五屆北京市哲學社會科學優秀成果一等獎（2019）。先後承擔並完成2項國家社科基金一般項目，1項教育部人文社會科學面上項目，在研1項國家社科基金重點項目。 硏究特點：注重以歷史學分析史料的方法來研討宗教典籍的形成與思想脈絡。1996—2016年的主要研究領域是道教歷史與文獻。在道教歷史方面，對早期道教的“五斗米道—天師道”一線單傳的歷史模式提出質疑。在道教文獻方面，對《太平經》《老子想爾注》《老子化胡經》《老子變化經》《昇玄內教經》《太上妙法本相經》等道書和六朝的“古靈寶經”有專門的研究。2017年以來，轉向中古佛教研究，目前對西域佛教史、中印佛教陸路交通路線、佛教初傳中國時期的歷史與藝術、印度佛教的“法滅”預言與東亞佛教的“末法思想”問題比較關注。 |
| 19 | Ciro Lo Muzio, University of Rome 穆恣翱，意大利羅馬大學  |
Ciro Lo Muzio is an Associate Professor of South Asian and Central Asian Archaeology and Art History at the Sapienza University of Rome. He has participated in archaeological expeditions to Nepal (Kathmandu) and Uzbekistan (Bukhara Oasis). His main research interests are the archaeology and art history of Central Asia, the Northwest of the Indian Subcontinent, and Xinjiang, with a focus on religious iconography, such as Buddhist wall paintings and sculpture, and the influence of South Asian traditions on Central Asian visual arts. |
| 20 | Chenye Lu, Fujian Normal University 陸辰葉，福建師範大學  |
陸辰葉，1988年生，上海人。上海師範大學文學學士、比較文學與世界文學碩士，中國人民大學歷史學博士，奧地利維也納大學聯合培養博士，復旦大學文史研究院博士後。現為福建師範大學文學院講師、碩士生導師。主要研究方向：梵藏佛教文獻，梵漢對音等。已在《復旦學報》《西域歷史語言研究集刊》《西北民族論叢》《中國佛學》等刊物發表論文。目前主持教育部人文社會科學研究青年基金項目「藏傳佛教大手印法文獻《入真實論》校勘翻譯與研究」、國家社會科學基金青年項目「梵本《善說集》校勘翻譯與研究」。
Lu Chenye, born in 1988, Shanghai. B.A. in Chinese Language and Literature and M.A. in Comparative and World Literature from Shanghai Normal University, Ph.D. in History from Renmin University of China, Joint Ph.D. from the University of Vienna, Austria, and Post-doctoral fellowship from the National Institute for Advanced Humanistic Studies, Fudan University. She is now a lecturer and master’s tutor in the College of Chinese Language and Literature of Fujian Normal University. Main research interests: Sanskrit-Tibetan Buddhist literature, Sanskrit-Chinese Transcriptions, etc. She has published papers in the Fudan Journal, the Historical and Philological Studies of China’s Western Regions, the Northwest Ethnology Series, the Chinese Buddhist Studies, etc. Currently, she is in charge of the project of Youth Fund for Humanities and Social Sciences Research of the Ministry of Education (PRC), “The Tattvāvatāra: A Critical Edition, Annotated Translation and Study of the Tibetan Buddhist Mahāmudrā Literature”, and the youth project of the National Social Science Foundation (PRC), “The Subhāṣitasaṃgraha: A Critical Edition, Annotated Translation and Study of the Sanskrit Manuscript”. |
| 21 | Michiyo Mori, Waseda University 森 美智代，早稻田大學 |
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| 22 | Neil Schmid, Dunhuang Academy 史翰文，敦煌研究院 |
自2018年以來，擔任敦煌研究院的信息與敦煌學中心以及絲綢之路與敦煌比較研究中心擔任研究員。同時也是德國波鴻魯爾大學“佛教之路”項目（BuddhistRoad Project）的合作夥伴。曾在維也納大學、北卡羅來納大學、杜克大學等美國多所大學任教。在巴黎高等研究學院獲得了哲學碩士學位，並在賓夕法尼亞大學取得了博士學位。研究領域包括敦煌研究和絲綢之路研究，涵蓋了佛教文獻在儀式和藝術中的角色、中世紀的經濟發展、密教、莫高窟的壁畫以及建築空間中的儀式美學等多個主題。目前進行的研究項目是調查11世紀的於闐與敦煌的關係，以及薩珊王朝的神聖王權觀念在於闐文化中的影響。 |
| 23 | Shang Shi, Capital Normal University 石尚，首都師範大學  |
石尚，1996年生，本科、碩士畢業於中央美術學院人文學院，現於首都師範大學歷史學院攻讀博士。學術興趣為石窟-寺院壁畫、中古西域宗教美術，致力於在歐亞大陸跨文化視野下探索中國文化及藝術之源流。已就雲岡石窟殘存北魏彩繪、中國發現的中亞金屬器、撒馬爾罕大使廳粟特壁畫等話題發表有論文、譯介、書評3篇。
SHI Shang, born in 1996, graduated from the Central Academy of Fine Arts. He is currently a PhD student at Capital Normal University in Beijing. His research interests include wall paintings in grottoes and temples, religious art of the West-Region in the middle ancient period, aiming to explore the multi-origins of Chinese culture and art under the trans-cultural horizons of the Euro-Asia continent. There are three published papers/scholarly translations/book reviews by him, focusing on the polychromy of the Yungang Grottoes, central Asian metalworks in China, and the “Ambassador Hall” of Afrāsiāb, Samarkand. |
| 24 | Jianbo Tang, Nankai University 唐健博，南開大學  |
南開大學文學院古代文學專業博士研究生，主要研究領域為西域佛教與佛教藝術史、石窟寺考古，博士論文題目為《3—8世紀昭怙釐寺研究》。 Tang Jianbo, a PhD student at School of Literature, Nankai University. Main research areas include Buddhism in the Western Regions, Buddhist art history and archaeology of grotto temples. The title of doctoral dissertation is “Research on Cakra Temple from the 3rd to the 8th Century”. |
| 25 | Stephen Teiser, Princeton University 太史文，美國普林斯頓大學  |
Stephen F. Teiser is D. T. Suzuki Professor in Buddhist Studies and Professor of Religion at Princeton University. His work traces the interaction between cultures along the silk road using textual, artistic, and material remains. He is interested in the transformations of Buddhism throughout Asia and focuses on Chinese-language materials. His most recent book is a monograph on Buddhism and the study of ritual, Yili yu fojiao yanjiu 儀禮與佛教研究 (2022). Other books include an English translation of Chunwen Hao’s Dunhuang Manuscripts: An Introduction to Texts from the Silk Road (2020); Reinventing the Wheel: Paintings of Rebirth in Medieval Buddhist Temples (2006), awarded the Prix Stanislas Julien by the Académie des Inscriptions et Belles Lettres, Institut de France; The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism (1994); The Ghost Festival in Medieval China (1988); and several edited volumes. In 2014 he received the Graduate Mentoring Award from Princeton’s McGraw Center for Teaching and Learning, and in 2022-23 he was Old Dominion Professor in Princeton’s Humanities Council.
太史文擔任鈴木大拙佛學研究教授，也是普林斯頓大學宗教系的講座教授。他的領域是佛教與中國宗教，其研究運用文字材料、寫本、以及絲路遺留下來的藝術和物質資料，追溯文化之間的互動。他擔任普林斯頓跨院系東亞研究項目的主任。在2014年他榮獲普大 McGraw 教學中心頒發的人文學科研究生指導獎，他目前的研究重點是敦煌的儀禮寫本，并主編多種學術文集。 |
| 26 | Jun Wang, China Jiliang University 王珺，中國計量大學  |
本科畢業於吉林大學，碩士、博士畢業於南開大學，北京大學博士後，劍橋大學訪問學者。在《世界宗教研究》《歷史教學》《天津師範大學學報（社會科學版）》等期刊發表多篇論文。 Wang Jun，graduated with a bachelor’s degree from Jilin University, a master’s and doctoral degree from Nankai University, a post doctor from Peking University, and a visiting scholar from Cambridge University. Published multiple papers in journals such as World Religion Research, History Teaching, and Journal of Tianjin Normal University (Social Sciences Edition). |
| 27 | Shuai Wang, Chinese Academy of Social Sciences 王帥，中國社會科學院  |
王帥，1989年出生，文學博士，現為中國社會科學院世界宗教研究所助理研究員。主要研究方向為近現代淨土宗佛教史，集中關注印光法師相關研究。主持國家社科基金青年項目“佛教中國化視域下的印光法師研究”。在《世界宗教文化》《五台山研究》等刊物發表印光法師相關研究論文多篇。 |
| 28 | Weilin Wu, Sun Yat-sen University 吳蔚琳，中山大學  |
吳蔚琳，中山大學外國語學院助理教授，碩士生導師。在北京大學外國語學院南亞學系獲得印度語言文學博士學位，曾到德國哈勒維滕貝格馬丁路德大學、台灣法鼓佛教學院短期訪學進修，研究方向為梵語巴利語文獻、佛教文獻學、中印文化交流史、佛教戒律學。主持國家社會科學基金青年項目2項，發表《<善見律毗婆沙>與<四分律>關係新探》《“毗尼四法”流變考釋》等CSSCI期刊論文數篇。
Wu Weilin is an assistant professor in School of Foreign Languages, Sun Yat-sen University, Guangzhou. She received her PhD in Indian languages and literatures (Sanskrit and Pāli literature) from Peking University, with a focus on a comparative study on the Pāli vinaya commentary Samantapāsādikā and its Chinese version. Her academic interest is Sanskrit and Pāli literature, Chinese-Indian cultural relations and Buddhology. |
| 29 | Nobuyoshi Yamabe, Waseda University 山部能宜，日本早稻田大學  |
山部能宜1987年獲得國立大阪大學碩士學位（印度哲學），1999年獲得美國耶魯大學博士學位（宗教學）。博士論文是五世紀偽經《觀佛三昧海經》的詳細研究。曾當九州龍谷短期大學助教授、教授、東京農業大學教授。現在擔任日本早稻田大學東洋哲學系教授。專業是印度唯識學及中亞的禪觀文獻和美術。
Nobuyoshi Yamabe 山部能宜 is a professor of Asian Philosophy at Waseda University 早稲田大學. Previous to this position, he served as a professor at Kyūshū Ryūkoku Junior College 九州龍谷短期大學 and professor of Bioethics and Foreign Languages at Tōkyō University of Agriculture 東京農業大學. He obtained his PhD degree from Yale in 1999 with a well-elaborated dissertation on the fifth century Chinese Buddhist apocryphon, Guanfo sanmei hai jing 觀佛三昧海經 [Sūtra on the Ocean-Like Samādhi of the Visualization of the Buddha]. His research interests primarily cover the following fields: Indian Yogācāra thoughts, and Buddhist meditation and visualization, particularly regarding Central Asian Buddhist texts and art. He has published prolifically on these subjects. |
| 30 | Baoyu Yang, Chinese Academy of Social Sciences 楊寶玉，中國社會科學院  |
楊寶玉，1982-1989年就讀於北京大學並獲文學學士與文學碩士學位，1989年至今供職於中國社會科學院，現任古代史研究所研究員（專業二級），兼任中國社會科學院大學歷史學院教授、博士生導師，國務院政府特殊津貼專家。主要從事敦煌學研究，已出版《歸義軍政權與中央關係研究》（合著一作）、《敦煌本佛教靈驗記校注並研究》、《敦煌文獻探析》、《敦煌滄桑》、《英藏敦煌文獻（漢文佛經以外部分）》第9-11及15卷、《敦煌學目録初探》（合著二作）等，發表學術論文百餘篇。
Baoyu Yang received Bachelor of Arts and Master of Arts both from Peking University. She is a senior researcher in the Institute of Ancient History of Chinese Academy of Social Sciences, and is a professor and a doctoral supervisor in UCASS. She is a recipient of special government allowance from the State Council. Her major research focuses on Tunhuangology, and has authored several monographs, including The Relationship between Guiyijun Regime and the Central Government (Lead Author); Annotation and Research on the Buddhist Efficacy Stories from Dunhuang Manuscripts; Analysis of Dunhuang Manuscripts; History of Dunhuang Region and Dunhuang Arts; Dunhuang Manuscripts in British Collections (Chinese texts other than Buddhist scripture), volumes 9-11,15; Research on the Catalogues of the Dunhuang Manuscripts (Co-Author) and more than 100 other academic papers. |
| 31 | Jiuhong Yang, Nankai University 楊久紅，南開大學 |
南開大學文學院在讀博士生，主要研究方向為敦煌文學，尤其是發願文、邈真贊。 Yang Jiuhong, a Ph.D candidate in the School of Humanities, Nankai University, with a primary research focus on Dunhuang literature, especially vow literature (fayuan wen 發願文) and miaozhen zan邈真讚. |
| 32 | Ru Zhan, Peking University 湛如，北京大學  |
Zhan Ru is a professor in Peking University’s School of Foreign Languages. Additionally, he is Vice President of the Buddhist Association of China, and Vice President of the Peking University Orientalism Research Institute, Director of the Kuaijishan Institute for the Advanced Study of Buddhism, and the Director of the Central Steering Committee for the Glorisun Global Network for Buddhist Studies. His areas of research include: Buddhist and Buddhist literature, the Indian Ministry of Buddhism, Dunhuang Buddhism, Buddhist system. His Latest book, Encounter between Indian and Chinese Civilizations: Ximing Monastery of Tang Chang’an and the Silk Roads 西明東夏: 唐代長安西明寺與絲綢之路, has been newly selected as one of the “Top Ten Best Books” of 2023, by the esteemed Zhonghua Publishing House (Zhonghua shuju 中華書局).
湛如，北京大學外國語學院教授、博士生導師，北京大學東方學研究院副院長，北京大學佛教典籍與藝術研究中心主任，會稽山佛學高等研究院院長，與旭日全球佛學研究網絡核心指導委員會主任委員。兼任南開大學宗教與文化研究中心主任。同時擔任中國佛教協會副會長。研究領域包括佛教與佛教文獻、佛教律藏、敦煌佛教等。主持國家社會科學重點項目“唐代長安與絲綢之路”及國家社會科學重大項目“印度古代梵文文藝學經典翻譯與研究”等。其新著《西明東夏: 唐代長安西明寺與絲綢之路》最近被久負盛名的中華書局評選為2023年雙十佳圖書。 |
| 33 | Huiming Zhang, China National Academy of Painting 張惠明，中國國家畫院  |
法國高等實踐學院(EPHE)歷史語言與文獻學博士、中國國家畫院研究員、廣州美術學院美術學研究中心兼職研究員、中國敦煌吐魯番學會理事、法國亞洲學會（Société Asiatique）會員。主要研究方向：西域佛教藝術史與圖像學、新疆敦煌佛教圖像資料、俄羅斯考察隊在中國新疆敦煌等地的考古探險及所獲藝術品文物及其收藏以及絲綢之路中外美術傳播與交流等。曾先後在俄國聖彼得堡艾爾米塔什博物館、俄羅斯科學院東方文獻研究所和法國敦煌寫本與圖像資料研究中心/法國東亞文明研究中心（UMR 8583/ UMR 8155/ CRCAO）、德國柏林亞洲藝術博物館、法國吉美國立亞洲藝術博物館、意大利羅馬東方藝術博物館及意大利亞非研究所（Istituto Italiano per l’Africa e l’Oriente [IsIAO]）等學術機構學習考察和研究，發表論著有：Iconographie de Mañjuśrī et du mont Wutai en Chine médiévale. Une étude d’après les matériaux picturaux de Dunhuang du VIIe au Xe siècle（中古中國文殊五台山圖像學—根據公元7至10世紀敦煌繪畫資料的研究）(法文版)、A Study of the Story of the Penance and Elimination of Sins in the Golden Light Sūtra Illustration from the Bezeklik Caves (Focusing on Ty-575 Fragments of the Hermitage Collection)、《公元六至八世紀於闐佛教護法神系中的夜叉圖像—以達瑪溝佛寺遺址畫跡為中心的討論》、《公元6世紀末至8世紀初於闐〈大品般若經〉圖像考—和田達瑪溝托普魯克墩2號佛寺兩塊“千眼坐佛”木板畫的重新比定與釋讀》、《從那竭到於闐的早期大乘佛教護法鬼神圖像資料—— 哈達與和田出土的兩件龍王塑像札記》、《螺髻梵王還是編髮梵志？——雲岡石窟第1窟南壁窟門西側龕螺髻坐像圖像考釋》、《印度新德里國家博物館收藏的斯坦因敦煌所獲〈護諸童子曼荼羅〉紙本殘畫及其佛教護法獸首鬼神圖像》、《炳靈寺石窟第 169 窟北壁 10 號壁畫的般若主題與文殊師利法王子圖像初釋》以及《於闐佛教護法鬼神圖像：四臂獸首夜叉—女神與黎婆坻的文本與繪畫資料考》等。
Ph.D. in HTD from the Ecole Pratique des Hautes Etudes (EPHE), Research at the China National Academy of Painting, Adjunct Researcher at the Research Center for Art Studies of the Guangzhou Academy of Fine Arts, Council Member of the Chinese Society for Dunhuang and Turfan Studies, China, and Member of the Société Asiatique, French. Primary Research Areas include: The history and iconography of Buddhist art in medieval western China (Xinjiang and Dunhuang), Materials from the Russian expedition’s archaeological expeditions to Xinjiang and Dunhuang and art objects and their collections, the dissemination and exchange of Chinese and foreign art along the Silk Road, etc. Main Publications include: Iconographie de Mañjuśrī et du mont Wutai en Chine médiévale: Une étude d’après les matériaux picturaux de Dunhuang du VIIe au Xe siècle 中古中國文殊五台山圖像學—根據公元7至10世紀敦煌繪畫資料的研究 (Shanghai: Shanghai Chinese Classics Publishing House, 2018). |
| 34 | Jianyu Zhang, Renmin University of China 張建宇，中國人民大學  |
張建宇，中國人民大學藝術學院教授、博士生導師，中國人民大學佛教藝術研究所副所長，波士頓美術博物館高級訪學學者。主要從事佛教藝術史、絲綢之路藝術交流研究。曾獲第八屆胡繩青年學術獎、北京市第十二屆、第十六屆哲學社會科學優秀成果獎、第九屆高等學校科學研究優秀成果獎。 |
