International Conference on “Esoteric Buddhism and East Asian Society”
(March 7–8, 2020 University of British Columbia, Vancouver)
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The organizing committee for the international conference on “Esoteric Buddhism and East Asian Society” cordially invites the submission of related papers. The conference is sponsored by the Tianzhu Global Network for the Study of Buddhist Cultures, and co-sponsored by TzuChi Foundation Canada. It is hosted by the From the Ground Up project based at the University of British Columbia (www.frogbear.org), March 7–8, 2020 at the University of British Columbia in Vancouver.
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It has been thirty-two years since the discovery of the underground chamber at Famen Monastery 法門寺, west of Xi’an. The discovery of this chamber fascinated the world not only with its rare treasures, but also the esoteric implements and offerings that had been preserved there more than a millennium ago. This discovery allows us to glimpse the design and the high artistic achievements represented by Tang religious artifacts and reveals the significant role that Esoteric Buddhism assumed during the Tang dynasty. For instance, similar to Esoteric Buddhism in medieval Japan where influences can be seen across all levels of society, Esoteric Buddhism under the Tang was unique: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. Some scholars have recently shed new light on the important role that the esoteric tradition played in the formation of Chan teachings and its central narrative of transmission from master to disciple.
The influence of Esoteric Buddhism during the Tang was not confined to the religious sphere: we see new developments of this tradition in many examples of material culture. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, which once inspired the enigmatic poetic style of Han Yu 韓愈 (766–824), one can always recognise the profound connection between art and the Esoteric Buddhist tradition. Influences from Esoteric Buddhism also abound in Tang literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition.
Recently, scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China, but also advanced knowledge in astronomy, calendarial calculations and mathematical theories. And their medicinal and surgical aptitude directly benefited the elite of the Tang empire, leaving a permanent mark on the medieval history of Chinese medicine. Meanwhile, there are important connections to be drawn between Tang Esoteric Buddhism and commerce, military, diplomacy and even the invention of printing; these are the kinds of connection scholars too often overlook.
Tang Buddhism, anchored in Chang’an, extended its influence beyond China to other regions within the Sinosphere, including Korea, Japan, Vietnam and countries further afield in Southeast, South and Central Asia. After Indian Buddhism arrived in the metropolitan city of Chang’an, advocates shared doctrinal teaching, cosmological schemes, and ritual procedures with Daoists, Confucians, and members of other faiths—including Christianity and Manichaeism—to produce a religious culture during the Sui-Tang period that drew pilgrims from across the known world. Thanks to the assiduous translations and preaching of Śubhakarasiṃha (637–735), Vajrabodhi (671–741), and Amoghavajra (705–774), revered as the “Three Mahāsattavs during the Kaiyuan Era (713–741)”, Tang Esoteric Buddhism became mainstream Buddhism in the city and at court, consequently affecting all other Buddhist traditions. This heterogeneous nature of Esoteric Buddhism profoundly influenced all aspects of Buddhism in medieval Japan.
In order to retrace the historical development of East Asian Esoteric Buddhism that spread from Chang’an across East Asia, this conference proposes the following themes that are not exclusive:
- Translation, collection, compilation and propagation of East Asian Esoteric Buddhist texts;
- Practices and transmission of East Asian Esoteric Buddhism and the development and changes in other East Asian societies;
- East Asian Esoteric Buddhism and painting, sculpture and art;
- East Asian Esoteric Buddhism and literature;
- East Asian Esoteric Buddhism and medieval astronomy, calendrical calculation and mathematics;
- East Asian Esoteric Buddhism and the spread and development of technological inventions and transformations in medieval Asia (print, gunpowder, manufacturing, and smelting);
- Esoteric Buddhism and the military and diplomacy in East Asia.
The organizing committee welcomes all paper proposals related to Esoteric Buddhism and East Asian societies. All conference-related costs, including local transportation, meals and accommodation during the conference period, will be covered by the conference organizers, who—depending on availability of funding—may also provide a travel subsidy to selected panelists who are in need of funding. Please email proposals and CVs to frogbear.project@ubc.ca by March 31, 2019.
A conference volume will collect all the papers in English, plus English translations of several papers written in languages other than English; a volume in Chinese, to be published in Taiwan or mainland China, will include Chinese versions for all papers not written in Chinese in addition to those papers contributed by our colleagues based in China. Only scholars who are confident in finishing their draft papers by July 15th and publishable papers by the end of 2019 are encouraged to apply.
